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Glass Powder Painting

A new piece out of the kiln. I used black glass powder and sifted it all over a white piece of glass. Then I drew into the powder and subtracted the design by removing the powder and pushed it around. Next I used some of my homemade aloe vera glass powder paint to accent the design with green and yellow. I let it dry completly. Then fuse fired it on top of a clear piece of glass. Next I slumped it into a much larger platter mold, putting the glass crosswise in the center. The piece can be a free standing art piece or a dish for cheese, butter, appetizers, or a candle plate.

 

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Fused Glass Powder Painting

This is a 5.5x11 piece. I first did the drawing in black glass powder on a clear piece of glass. I sifted an even coat of powder all over the glass then began removing powder in the sky and moving the remaining powder around with various tools and brushes. I continued to work forward adding and subtracting powder where needed. I placed this on top of a second sheet of glass and full fused it.

Next I turned the piece over and painted with colored powders mixed with aloe vera gel. I let it dry completely over night and full fused it again. Putting the color on the backside kept the front smooth and glossy. These can be displayed on the wall, framed or unframed, or placed in a free standing table stand of metal or wood.

The photo below is after the 3rd and 4th firing. On the 3rd I painted the backside completely with aloe French vanilla paint to make the piece more opaque. I forgot that French vanilla reacts with cyan blue and it created the gray shadowing effect in the sky and the water area. I wasn't really happy with that so I put some more Opal cyan powder on the front side hoping to get rid of some of that gray. I also put a light dusting of blue over the back hills trying to set them back in distance. I probably should have put a heavier solid layer of cyan on the sky and simplified it more. I think I'll be done with this piece and take what I've learned and move on to the next.

 

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More Powder Painting Fused Glass

This piece was all free hand outlined with aloe vera glass powder paint. Then I filled it in with more paint. I placed the design on clear glass over dusty lavender glass but after firing I didn't like the color so not to give up on the piece I covered all the lavender area with more aloe paint and fired it again. It's not a masterpiece but I like it much better. I was surprised the French vanilla covered so well.

Above with lavender glass, first firing.

Second firing with French vanilla over the lavender. The surface is completely smooth shiny glass.

 

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More Glass Powder Painting

I have been experimenting with powdered glass. The piece above was done by placing real leaves on a piece of white Opal glass and then sifting over them using them as a stencil. I then lifted the leaves away carefully and then decided to use copper glass line paints to outline and add details to the leaves. I also used a sharp object to draw into the powder to make lines and squiggles.

The above photo shows the piece after a full fuse. I really like the powders because they fuse completely into the base glass and are glossy and do not feel like they have been added on to the top. Sometimes the glass liner paints feel raised and not quite as shiny, especially if they get a little thicker.

The piece above is also powders. I put a thin coat of aloe Vera over the white piece of glass and sifted on the yellow powder. On top of that I squeezed on premixed aloe Vera with powder from a squeeze bottle creating a design with the black and the red. I scrapped through the design with a palette knife to remove everything to form the thick white lines of just the white glass. I full fused the piece and then slumped into a candy dish mold. The glass was smaller and a different shape then the mold so I got a completely different bowl shape then the original candy dish shape. I was happy with the shape though.

The piece below was done with the homemade aloe vera powder paints. I cut a white opal circle of glass to paint on. I squeezed various colors of paint to make an abstract design. Then I scrapped through the black with a palette knife to create a texture. I also pushed the paint around with a brush and pulled some paint out with a toothpick to create the flaring lines. I added some clear frit to the red areas. Then I full fused the piece and slumped it into a shallow bowl.

The photo above is the gel paint before firing. I put it on kind of thick so I let it dry overnight before fusing.

The design was totally spontaneous because I'm still experimenting with the paints to see how they preform. The next one I do will be a more planned design. We'll see how that works out.

 

 

 

 

 

 

 

 

 

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Fused glass pendants

Fused Glass Cabochons

These are some beginner cabochons I made from scrap glass. Most of these turned out OK. Some I used white pre made dots for embellishments. The second from the top left I used clear frit in the center crevice. The lower left one I used fuseable paint between layers and it caused the bubbles to form. Not what I had in mind. In the next photo I tried the paints again and put them on the top layer with better success. I think if You want the paints in the middle you would need to pre fuse the paint on the first layer then add the second layer and then full fuse everything to eliminate bubbles. The right bottom one had clear frit chunks on the purple area but they sunk in and disappeared. Lessons were learned on these.

Fused glass cabochons

These cabachons were more experiments. The glass painted ones were painted on the top clear layer over the opaque glass. The right top one is painted directly on the opaque glass. No clear cap, just clear on bottom. The second one on top has clear cap with paint on top of clear. The far left top is clear bottom layer, middle chunks of black, red, and dichroic, top layer clear again. The bottom row could be earrings.

 

 

 

 

 

 

 

 

 

 

 

 

 

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