Saturday, March 3, 2018

Back to My Painting

This post is a quick catch up on my acrylic paintings. Lately I have switched to painting on paper rather than canvas or boards. These are on Watercolor paper. Its fun to change your usual routine to freshen up your style a bit. Some times I gesso the watercolor paper to give it more body and make it less absorbant.
These can be framed like watercolors or mounted on canvas with no frames for a contemporary look.



More Slurry Glass Powder Painting

More custom fused glass made with aloe vera gel and water and glass powders. Each color is mixed in a squeeze bottle with 1/3 water, 1/3 aloe vera gel and 1/3 glass powder. Shake well and squeeze unto clear glass or opaque white glass. Move and push the colors around until you like the design. I then thoroughly dry the piece in my convection oven for 20 to 30 minutes at 225 degrees and then I full fuse in the kiln.

After full fusing I decided to drape this piece over a stainless steel mold. The photo below shows the finised piece.

Bottom of piece.

This is such a fun economical way to create you own designer glass by just using clear glass and powders. Just make sure you use the powders safely and wear a mask or respirator when mixing up the powders.

Friday, February 2, 2018

Fused Glass Fish Platter


My newest project is this fish platter. It is hand painted with glass enamels and bordered with hand cut clear glass chips and some glass powder. This is contour fused and ready to slump into a 8x12 rectangular platter mold.

I am still living in my motorhome and only brought clear glass to work with. This piece was created to use up a lot of scrap glass that has accumulated after cutting out circles. I did my contour fuse at 1400 this time and I am happy with the softer rounded edges of the chipped glass.

Thursday, January 18, 2018

Glass Powder Slurry

I am always looking for new ways to use glass powders and here is a fun andy easy method I came across on the internet. Isn’t the internet awesome. So many ideas and options at your finger tips. Find new techniques then make them your own, change them up and ask what if? What if I try this. So fun to experiment.

This project was done with the help of Creative Paradise’s Frit Slurry Tutorial. You mix up powders and water to a pancake batter consistency and spoon or pour it on to clear glass. The tutorial used mostly transparent powders but all mine are opaque so I tried it anyway. Also I used reactive colors such as french vanilla and cyan which created the dark outline effect. I also used 2 layers of 3m clear glass instead of 6m single sheet as was suggested in the tutorial. The tutorial does a fuse and slump in one step with their slumping schedule. I did mine the traditional way. Full fuse and then slump. I did get some unwanted bubbles so i will add a bubble squeeze next time. The bubbles were between the two sheets of glass. It was not anything to do with the powders on top.

Since I am in my motorhome for 3 months I decided to just bring clear glass and powders and enamels with me. The green piece above is my peekaboo fused glass piece. It was designed using clear base glass with hand cut clear glass triangle pieces on the second layer. Then I sifted two colors of glass powder over it all. I brushed the powder off the 6 clear triangles to create the peekaboo see thru. I contour fused the piece to preserve the dimension of the triangles. The powders also retained a textured surface. This is being slumped in a slightly up turned plate mold.

Saturday, December 9, 2017

Finished Slumped Fused Scrap Glass

Well here is the finished product of my patchwork 8” square slumped dish. This was created by making part sheets with glass powders sifted over stencils and found objects. The individual pieces are full fused then cut up and arranged to fit the square dish mold and then slumped. The designed part sheets are only one layer of 3mm glass, either clear or white opal. There is some waste as you have to trim off the edges of the part sheets where they shrink in and get a bit thicker then the center. Its not completely a waste as you can make frit or use pieces for jewelry etc.

Here is one more piece I recently completed. This bowl utilized a lot of scrap clear glass left over from cutting out large clear circles. The base piece was an opal piece of gray glass. Next I cut up the scrap clear glass into random sized pieces. Next I shifted Light Cyan 216 bulleye powder over the base gray piece and gently placed the clear scraps all over the powder layer. I made one slight mistake when putting this together. I picked up all the clear scrap pieces and set them in the bowl mold. Unknowingly the pieces got contaminated with kiln wash powder left on the mold.....darn. Won’t do that again. So when it was full fused some of the kiln powder showed up in the clear spaces between the layers of glass. Not all but some. I liked the piece so thought hard.....what can i do to save it? I got out my ColorLine paints and carefully added white to the most noticable areas where the kiln powder showed up. I also added some of the cyan glass powder to other areas less noticable and did a second full fuse. Turned out very acceptable and it turned out to be a more interesting piece. Sometimes glass is more forgiving than you think, so don’t give up to soon if something goes wrong.

Both of these pieces are good examples of designing with scrap glass. I dont have a lot of room for storing a lot of scrap so I try to use it up as it accumulates. Sometimes it gets your creative juices going figuring out ....”what can I do with those scraps”.

Sunday, December 3, 2017

Crackle technique and Glass Wafers



Hope you all had a great Thanksgiving. I was excited to get back to glass fusing after all the cooking and house cleaning. I just recently bought 2 new ebooks. One is Lena Beckeus’ Fusing Techniques with Powder and Fiber Paper. The other one is INTRODUCTION TO KILNFORMED GLASS POWDERS Basic Crackle Texture, Micro and Backed Wafers by Bob Leatherbarrow. Im just starting to experiment with some of the techniques in these books. The photos above are my first attemp at the basic crackle technique. I used two colors, Olive Green and Woodland Brown for my powder layers. This was done on clear 3mm glass. One layer only of glass. After layering 3 layers of powder and spritzing with water I carefully placed a stencil on top and sifted woodland brown to create the pattern of squares. After full fusing it was slumped into a small sushi plate. I was quite happy with first attempt and am excited to do more.

The next set of photos was a piece I did before Thanksgiving. I wasnt to happy with it so decided to keep working on it. The border was just the dark green sponged on with enamal paint which I didn’t care for and the center had a small dark green square that I also didn’t like. So I sponged on the yellow paint on the top giving the border depth of layers. Then I had made some glass wafers by fusing glass powder directly on a kiln shelf as instructed in Leatherborrow’s book. I used a circle whole punch to make a circle stencil and sifted yellow and white powders and fused. I then decided to try placing the wafer over the center area I did not like. I thought it still needed some green in the center to repeat the green somewhere else. I used my enamal paints on top of the wafer. I wish I would have also used some of the yellow paint in the center too. I full fused this piece a second time. The wafer fused in nicely but has a slightly rougher texture when you run your hand across it. Its probably from the kiln paper powder that remained on that side when I flipped it over. Next time I will carefully place the wafer in water to remove all the excess powder and let dry before using it on a project. But overall I am very excited about these two techniques and am looking forward to improving my use of them.

Right now I have a piece in the works using up some part sheets I made awhile back. I cut off the thick edges and chopped them up into usable pieces to make a patch work piece. Some pieces have transprent backgrounds and some opal. I’m going to place them on a darker green opal base piece. Here is a photo of just the rough pieces layed out. My next blog will show results.

  • HAPPY HOLIDAYS!